When we speak about Ludwig Mies van der Rohe, we usually think of the great canonical works: the Barcelona Pavilion, the Tugendhat House, the Seagram Building. His reputation rests on a clarity of form that seems timeless, as if it had always been there. But the journey that led him to this stripped-down, almost ascetic …
Weiterlesen "Mies Before Modernism: Detours and First Steps"
